Take a Local Train Journey in Assam A melodious Zikir crooned by a folk singer with visual impairment soothes the ear. The tune played by him on the Dotara is equally relaxing. The lyrics inspire the passengers to strike a chord with the co-passengers and engage in a free-wheeling discussion.
Breathing Colour is an installation-based show that takes a deeper look at the way colour behaves, exploring shapes, materials, shadows and reflections. How does the light during the day influence the colours and materials? What is the relationship between form and colour?
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When does a colour lift up a shape and give it a new dimension? What is the role of shadow? All elemental aspects of design. The ultimate aim is to pit the power of colour against the power of form.
In my work I think about how coloured objects affect other objects and how all the objects behave in a certain setting. How important is size or volume for a colour and how do coloured objects influence one another?
The different materials have an impact on each other and certain colours can accentuate horizontal shapes, while others are better for vertical forms.
And then the lighting conditions or colour temperature also changes a space. There are many facets that require research beyond these questions, because the relationship between colour and shape is a puzzle with many solutions.
What makes a colour beautiful?
Colour touches on so many different aspects of design: Experiencing colour is completely dependent on its physical, visual, artistic and cultural context. Beautiful colours for me are made with high-end pigments, which result in colours that breathe with light — taking on new hues under different lighting conditions.
What do you miss in industrial colours? I miss the dash of red in most industrial recipes for green that gives the colour its intensity, I miss a true black in plastic granulates.
I miss colours that breathe with the changing light. I miss the changeability, the options, that will allow us to read and re-read an industrially produced colour, like we do with works of art. The most important aspect in the quality of a colour is its pigments — this is the recipe that lies behind the colour.
With this exhibition, I hope to build an archive and create a tool for interpreting colour. I want to show a broader perspective than the industrial palet and demonstrate how powerful colour can be in transforming shapes and objects.
Breathing Colour is a manifesto for colours. There are many colour systems with thousands of hues. We can choose from a large amount of varying hues.
As a tool, this can be helpful for designers and interior architects. But how can we ever intimately relate to colour and its subjective effect in this scenario? The largest part of the effect of a colour is made up of its quality. The perfectly sorted colour systems with their immaculacy seem to neglect this aspect.
I will share one example: This can happen especially when viewed in different lighting conditions. I think everyone once bought a piece of furniture or clothing in a certain colour, and experienced a shock, when unpacking it at home.
A colour might look great under the fluorescent lighting in a shop but it might look very different in plain daylight. Some colours look dull in the morning but come to life at dusk.Assam Culture Assam - the very mention of this word brings to one’s mind the delightful blend of culture, heritage, faiths and beliefs of the innumerous ethnic tribes and sub-tribes residing in this region.
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Cultural heritage is the legacy and intangible attributes of certain members of the society that are inherited from past generations, bestowed and carried to the next generations. It is a unique and irreplaceable kind of relationship which gives responsibility of preservation on the current generation.
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